Sweet Satai Lilit Bali

Bali is known with a view not only beautiful but also delicious cuisine shake up the tongue. Satay wrap is one of Bali's most popular dish. Lemongrass scent and taste the sweet savory taste delicious lunch is guaranteed to add this time!
Who does not know satai? Foods made from pieces of chicken, beef, goat, fish, etc. It is famous for its delicious taste. Several types of satay from the area we already know there Sate Madura, Sate Tegal, Klatak Satay, Sate Padang.
One more, no less popular is the famous island of the gods will Sate Lilitnya. Different from other satenya Balinese satay is quite unique and have different tastes.
Satay is actually not always a meat cut into pieces and stabbed before the fire. Satay wrap this example is not stabbed but using minced meat is wrapped in a piece of bamboo. Because the cow is considered sacred animal equivalent of the god that should not be killed. Satay wrap usually use seafood such as fish meat, shrimp or chicken.
Another peculiarity of satay wrap is also located on seasonings marinade consisting of turmeric, Indian galanga, lemongrass, nutmeg, sugar palm, and coconut oil. Once softened minced fish meat, flavored, coconut milk, and grated coconut, then wrapped in a piece of bamboo and then burned on charcoal.
The Balinese believe that behind every dish there is the philosophy that should not be abandoned. So it is with satay wrap the arms symbolize the gods believed in this god Brahmin. Therefore, in Bali, satay wrap usually also served during religious ceremonies.
Satai wrap is usually eaten with rice mix, rice cake, or Plecing kale. Satai taste sweet tasty delicious shake is secured tongue.

Krenyes Sweet, Milk Pie from Gang Nuri

Bali - This cake is now on the list of souvenirs that must be taken if stopped by the island of the gods. It looked like a cover glass with a diameter of 7 cm. Thin skin is crispy batter. It contained soft fragrant and sweet taste. Want a plain or chocolate, both as good!

Always been nuts Rahayu and Brem Bali who became king of souvenirs from Bali. Now, the list of traditional foods has increased a lot. Besides pia Legong is a newcomer, Milk Cake Pie Original Enaaak. Make no mistake there are now many different brands of pie with milk. This one is the original and first you know!

People are often confused with the title pia and pie. Pia is a term for chinese Flaky dough, this pastry round in shape 4-5 cm skin is crispy-coated with a variety of fields. While the pie is an adaptation of western pie. Sweet pastry dough from flour, eggs, butter and sugar are printed thin width. Once baked, the skin is given a field, can be grilled again or not.

Milk Pie is an adaptation of the egg tarts from Hong Kong who were encountered in the dim sum menu. Usually made of puff pastry dough that printed round 4-5 cm then given stuffing egg custard (milk, eggs and sugar) and baked until the dough is frozen milk yellow.

The difference is his skin Bali milk pie like pie west and printed circular of 7 cm with egg custard filling that is not too high. Therefore, if you eat will taste sweet crispy skin with egg custard that is not too thick, so not too eneg.

Because not too happy with the pia Legong ordering procedures are also difficult so I decided to buy this milk pie 'fresh from the oven', to where the seller directly. Finding location pie seller of this milk was not easy. A bit convoluted, after Jl. Jackfruit, then enter the alley that sempir Nuri.

Hmm ... fragrant aroma of pie that was baked immediately smell and makes me confident going up to the address of the seller. This pie was once made at home Mom Tanti (1989) that there are about 100 meters from the current location. On the front page already heard sura noisy and crowded worker who was washing dozens of tiny pie mold in a big bucket.

In other parts there is a group of workers who were lining the molds with batter and fill the dough. Rows of two-level gas oven that is on the side of any house smell fragrant pie being baked. Mother Tantri serve the maker and seller of its own orders, records and separate orders that have accumulated in the boxes.

"Well, how suddenly it? This is what has made people all orders. Why are guns the phone first?" Thus said the mother. Luckily my seduction tricks to give up 80 straight makes fruit pies for my purchase. Yes, fortunately there are buyers who reduces his order.

Because that made an order, automatic all milk pie pie made an absolutely new 'fresh from the oven'. A warm pie directly mengepulpun I taste. Hmm ... fragrant aroma there is no trace of rancid milk and eggs altogether. Pienya crispy skin is not excessively sweet and gentle with a sweet filling that fit.

Available in 2 flavors, plain and chocolate. Oh yes, milk chocolate pie is also not disappoint. Chocolate flavor is not too thick and not too sweet. Each pie milk wrapped in transparent plastic so that the cleanliness maintained. Pie this milk can be retained for up to 4 days at room temperature.

The price of milk pie is also not terllau expensive, yangpolos USD. And a chocolate 1500.00 USD. 1600.00. In order to get new milk pie, you should first message by telephone. If there is not necessarily sudden supply. So, if we go to Bali, if by that one is obliged to carry. Pie is tasty sticky enjoyable with tea or coffee warm. Get ready to taste krenyes renyahnya addicted!

you can visit this place on:
Original Milk Cake Pie Enaaak
Typical food from Balinese
Jl. Jackfruit Gg Nuri 1 no.14 Denpasar - Bali HP: 081 337 557 888 Tel: 0361-7842073, 0361-263138

visit and enjoy this delicious pie ..

Bali Attractions and Culture

The Bali Aga
Bali Attractions and Culture
Bali culture is totally unique and permeates through every 
aspect of life. The influence of Hinduism the main religion is evident in the music, drama, art, costumes and festivals which take place daily.

You'll encounter a festival almost every day, celebrating the cycle of birth, death and rebirth. Anthropologists believe that the Balinese are descended from the ancient Chinese, the Indians and Arabs from the west, and others who came to the island directly or via Java.



The Bali Aga (The Original Balinese)

The original Balinese or Bali Aga, are a unique ethnic group that still live and practise a way of life that pre-dates modern civilisation. The Bali Aga are thought to be the original inhabitants of Bali who fled imperialistic invaders, eventually finding refuge in the solitude of Bali's remote mountains. Only two villages remain - which until recently, were firmly shut away from the rest of the world, hidden in the hills of East Bali.

Located just west of Candi Dasa lie the villages of Tenganan and Trunyan, isolated across the vast Lake Kintamani. The villages, home to the Bali Aga, are shut off by a solid wall surrounding the entire village. The wall is only broken by means of four gates, each facing north, south, east and west. Within these walls lies a massive Banyan tree surrounded by a low wall of uncut stones, making up a small enclosure for a very sacred temple. Tenganan has only recently opened up to outsiders although strict rules still apply, especially concerning marriage to outsiders. Tenganan has wonderful fabrics, including the renowned double weave ikat cloth.

The villagers of Tenganan are tall and slender with very pale complexions and refined manners. The men folk still wear their hair long and have a communistic system which does not recognize individual ownership of property. Every house in Tenganan looks exactly alike, with a flight of steps leading to a small gate opening into a courtyard with sleeping quarters, kitchen, and a long house for storage. A small empty shrine, signifies a place where spirits may rest when they visit their descendants. Tenganan owns huge tracts of fertile and well cultivated lands capable of satisfying the needs of the village; and also making Tenganan one of the richest in Bali.

A people known for their filed and blackened teeth, the Bali Aga are said to bring the spirits of their ancestors down to Earth for protection through sacrifices. The Bali Aga leave the bodies of their dead in the jungle to be carried away by the spirits, and they are believed to have possibly eaten parts of their headmen's bodies to absorb magic powers. Family clans are ruled by a council of elders who are also religious priests. The Bali Aga revere the forces of nature and the spirits of their ancestors, with whom they continue to live as a great family of both the living and the dead.


Bali Aga Rites

The Tenganans practice an ancient rite known as mekare kare, the ritual blood sacrifice. This is not as gory as it sounds, but an event where all villagers get involved in an annual ritual combat, using thorny pandan leaves to draw blood.

Each combatant hits his opponent with the aim of drawing blood. The ritual fight will be held every time there is a temple ceremony is Tenganan, which tends to fall in the fifth month of the Balinese calendar.

The fighting and the blood are real, and all participants come well prepared, carrying weapons of a rotan-woven shield and a bundle of thorny pandan leaves, used to scratch the opponent's skin until it bleeds.

Before the fight begins, participants drink rice wine or tuak, fermented local palm, to symbolise brotherhood and sportsmanship. But when the selonding music fills the air, a volley of fierce jeers, insults, cheers and shouts are thrown to instill fear. And the fighting begins.

The fighting is judged by a mediator, most probably a prominent figure of the village, and usually lasts for a fierce 5 to 10 minutes. The first person to draw blood with the thorny weapon is victor, and the person he draws blood from is the vanquished. Both victor and vanquished are broken up by the mediator as soon as blood is drawn.

As the injured are treated with traditional liquid medicines, and all fighters recover their strength, the whole village prepares food and drink for an elaborate feast which must follow the Balinese sacrifice of human blood.

Balinese culture has also got a population control mechanism in their child naming practices, and this is not only confined to the Bali Aga, but encompasses every Balinese. Every first born is named Wayan, second born Made, third Nyoman, and the fourth Ketut. Anymore children will see a repeat of the names following the order. But this practice definitely is a big hint and subtle reminder to stop at a maximum of four!


Balinese Religion

Nearly everything in Bali carries a religious significance from creating stone and wood carvings, cremation ceremonies, trance dances and gamelan music, are intended to please and appease the gods.

As most pleasing and appeasing rituals take place in a temple, temples are, undisputedly, the most important structure in Balinese culture, providing a pleasant resting place for the gods during their stay on the island.

Every house on the island has its own shrine, a resting place for ancestral spirits. Even the paddy fields have a shrine for Dewi Sri, the Rice Goddess. Each village has three temples, the Pura Puseh, dedicated to the villagers' ancestors, the Pura Desa, used for official celebrations, and the Pura Dalem or the temple of death, specially dedicated to the deities of death and of cremation.


Cremation Ceremonies

The Ngaben or Cremation Ceremony is a very important part of Balinese culture. The ceremony is performed to send the dead from death to the next life. When death descends on a Balinese, the village kul kul will sound, hanging in the village temple tower to announce the departure of the deceased.

The body will then be placed at the Bale Delod, and the deceased treated as if sleeping. No tears are shed as the Balinese believe that the deceased will return shortly to be reincarnated into the family.

The Priest will then consult the Dewasa for the day of the ngaben ceremony. On the appointed day, the body of the deceased is placed inside a coffin, which is then placed inside a wadah, or sarcophagus shaped in the form of a buffalo. It is actually a temple structure made of paper and light wood.

The funeral procession then leaves for the cremation site, carrying the wadah. The most important part of the ngaben is the burning of the wadah, with fire taken from a holy source, thus sending the deceased to the afterlife,to prepare for a future reincarnation.

Bali Festivals & Events Guide

Bali Festivals & Events Guide
Bali Attractions and Culture


Festivals and events are important features in the social landscape of Bali, and also permanent fixtures in the lives of the Balinese. These festivals and events are determined by the calendars of the Balinese from long ago.

The major events in the life of a Balinese is believed to occur on fixed dates, which go according to the Balinese Calendar. Unlike temple festivals, these major events take place nearly every six months or every 210 days!

The Balinese believe in annual cycles and every six months of a Balinese's life is a celebration of holidays and life-cycle ceremonies. Since his conception in his mother's womb, every Balinese passes through certain stages, and this carries on up until marriage. These are the events celebrated to mark the passage of a Balinese as he progresses in his life. But the ritual of utmost importance to the Balineses is the ritual of the funeral rites and cremation.

It is, therefore, extremely obvious that festivals and events are an integral part of Balinese life and a huge part of the mysticism and allure that sets Bali apart from any other land. To help preserve and maintain every aspect of this rich culture, the Provincial Government of Bali holds numerous Annual Festivals.

Calendars
The Balinese use altogether three types of calendars for one year; one is the typical Western calendar, and the other two are local Balinese calendars, the saka and the wuku calendars.

The wuku calendar is used to find out dates for festivals and has 10 different weeks, each from one to 10 days and all running simultaneously.

The saka calendar is a lunar calendar of Hindu origin, which closely follows the Western calendar in terms of the length of the year. With illustrations for each day indicating what activities that day is auspicious for, Balinese calendars make popular souvenirs.

Some of Bali's major temples celebrate their festivals according to the dictates of the saka calendar. Hence, the actual date of a festival is difficult to determine from the Western calendar since the lunar saka does not have a predetermined number of days.

The wuku calendar, however, does have a set number of days. According to the saka, full moons days from the end of September till the start of October, or from early to mid-April are normally important festive dates, and temples will celebrate important temple festivals then.

Galungan

Bali's most important festival is the Galungan festival. It is a feast and festival which is held throughout the whole island and an annual event in the wuku year. It is believed that during this ten day period all Balinese gods, including Sanghyang Widi, the supreme deity, will descend to earth for the festivities. Barongs prance from temple to temple and village to village in celebration of the Galungan with the gods.

Galungan to the Balinese, is the most important holiday period as it symbolizes the victory of Dharma, or Virtue, upon Adharma, or all that is Evil. The festivities are made extra special by the fitting of 'penjor' on the right side of the entrance to every house.

A penjor is a tall bamboo pole terrifically decorated with woven young coconut leaves, cakes, fruits and flowers; and also a must for every Balinese household. The Galungan also sees the Balinese decked in their finest clothes and jewels for the day.

The last day of the 10-day festival is the most important day. Known as Kuningan, it is the climax of the ten-day Galungan, and also serves to bringing the holiday period to a close. Kuningan is a day for prayer, and a special ritual ceremony is held for the spirits of the Balinese's ancestors.

Just as the Galugan ends with a day of symbolic prayer, its beginning is marked by Pagerwesi. Pagerwesi literally means 'iron fence', and on Pagerwesi day every year, ceremonies and prayers are held in supplication for iron-strong mental and spiritual defense in welcoming the Galungan holiday.

Nyepi
The saka calendar has a major festival called Nyepi, or the final day of the saka year. It falls on the day after the new moon on the ninth month. Nyepi is a celebrated holiday and the Balinese New Year called icaka New Year. It is a day of total silence throughout the island. Nyepi really is a celebration observed with total silence!

On Nyepi day, there is totally no activity - no traffic at all on the roads, no amusement is held the whole day long. No fires also may be lit in observance of the Nyepi and great purification and sacrificial rites are held on the day prior to Nyepi in order to exorcise evil spirits from every corner of Bali.

Saraswati
Bali and the Balinese also celebrate Saraswati, a day devoted to God's manifestation as the wise and beautiful Goddess of Knowledge, Art and Literature - the Dewi Saraswati. To mark this joyous day, books of knowledge, manuscripts and the Wedas are blessed and special offerings are made together with aspirations for knowledge and wisdom.

Arts Festival
Highly notable is the Annual Arts Festival, which interestingly takes place from every second Saturday of June to the second Saturday of July. This Annual Arts Festival is a celebration of exhibitions and performances of various kinds of artworks and cultural achievements, including the absorbing Kite Festival.

Baris Dance – An Army Dance

Baris Dance – An Army Dance : Tari BarisBaris Dance comes from the word “bebaris“ meaning troops. The dance portrays the army soldiers and agility usually performed as a ritual dance. This dance performed by a group of men, usually numbering 8 to 40 dancers. Baris Dance has a lively movement and quite sturdy, straightforward, dynamic, and accompanied by Gong Kebyar and Gong Gede. Baris Dance is usually divided so 3 rounds. Namely the opening round, soft round, and the closing round. In the opening round is usually more aggressive movements, usual first imprest. Second round, the gong or the music will be softer, usually even more dignified movements. Closing round as same as the opening round. Baris dances are still in Bali, among others:

* Baris Katekok Jago: dancer carrying a spear gun polet (spear black stems and white), using black and white striped dress.
* Baris Tumbak: dancer carrying a spear gun and using awiran dress in layers.
* Baris Dadap: dancers carrying Dadap weapons (like a shield), the movement is more gentle than other types of Baris dance. Dancers dance while singing a song barreled slendro.
* Baris Presi: dancers carrying kris weapons, and a kind of shield, called Presi.
* Baris Pendet: dancers bring offerings (canang sari).
* Baris Bajra: dancers carrying Bajra mace weapons (such as Bhima's mace).
* Baris Tamiang: dancers carrying kris weapons and shields called Tamiang.
* Baris Kupu Kupu: dance depicts the life of a butterfly, the dancers wearing butterfly wings, agile and dynamic movements mimic the movements of a butterfly.
* Baris Bedil: a dancer with long-barreled imitation rifle made of wood.
* Baris China: dancing under the influence of Chinese culture, unique fashion look of the layout (long pants with a long-sleeved shirt, sarong sash, hat, sunglasses and wearing a sword weapon).
* Baris Cendekan: a dancer with a short spear gun (cendek).
* Baris Panah: dancers carrying arrows.
* Baris Jangkang: a dancer with a long spear gun.
* Baris Gayung: dancers are a group of Pemangku (figure of hindhu religious clergy) with a scoop or cantil (a tool to bring holy water).
* Baris Demang: dancing figures illustrate Demat (one of the characters Pagambuhan) in the classical Gambuh dance drama with a gun, sword, spear, arrows, and others.
* Baris Cerekuak: dance movements represent a group of water birds (cerekuak) while searching for her lover, bird Manuk Dewata.
* Baris Mamedi: describes a group dance spirit (mamedi) who lives in haunted places like the cemetery, the dancers wore clothes made of leaves and twigs are taken from the grave.
* Baris Ketujeng: dance describes a group of spirits who live in haunted places as the introduction of dance soul of the departed to heaven.
* Baris Gowak: dance depicts the battle between the forces Badeng Tegal (Badung) with a group of ravens carrying death.
* Baris Omang: dancers use a spear gun, but move slowly like the way a snail (Omang), describes the battle between the forces Badeng Tegal (Badung) with troops of Guwak (crow).
* Baris Jojor: dancers carrying Jojor weapons (spear, long-stemmed).
* Baris Kuning: dancers dressed all in yellow, and armed with kris and Tamiang (shield).
* Baris Tengklong: dancers carriying sword weapons, the movement is dynamic, powerful and approaching martial art movements.
* Baris Kelemet: dancers portray the fishermen, with such oar weapons, describing the boat in the sea to catch fish.

Kecak Dance - Dance With The Music Of Sound Mouth


Kecak Dance - Dance With The Music Of Sound Mouth

Kecak is a typical Balinese performing arts that was created in 1930 by Wayan Limbak with a German painter, Walter Spies. They create a dance based on ancient sanghyang traditions and take from parts Ramayana story. This dance became popular when Wayan Limbak and the Balinese dancer have toured around the world to introduce the Kecak dance. This dance is played by dozens of men who sat in a circle and line up with a specific rhythm and speaks the words "cak..cak.." and raised his arms. Describes the story of Ramayana as Rama's line of apes help fight Ravana. There are some who explained that the word or sound "cak" actually means a very important and significant in the performance of the dance.


Kecak DanceKecak dance not use the instrument, but only use krincingan (small bells) imposed on the feet of the dancers who are playing characters Ramayana. While the dancers in the circle wearing a checkered cloth wrapped around their waists. Kecak privilege of not relying on instruments to accompany dancing, but the chorus of the dancers.

Kecak comes from sanghyang ritual, namely that the dancers dance traditions will be in unconscious condition, to communicate with God or the spirits of the ancestors and then convey their expectations to the community. If you want to see dance performances kecak, can visit to Uluwatu, Jimbaran or Batubulan village, Gianyar.

Tana Toraja


Tana Toraja , literally "Torajaland", is a highland region of South Sulawesi, Indonesia.
Tongkonan, Ke'te' Kesu'.

Tongkonan, Ke'te' Kesu'.
Tana Toraja, the famed "Land of The Heavenly Kings", or some people in southern region of South Celebes called people from north highland. Tana Toraja lies about 328 km north of Makassar, the capital of South Sulawesi Province, in the central highlands of South Sulawesi. At 300 to 2880 meters above sea level, Tana Toraja combines tropical lushness with alpine freshness. Daily temperature of 16 degrees Celsius to 28 degrees celcius promotes rest and recuperation.

Bright green rice terraces, tall limestone outcrops and bamboo graves are set against a backdrop of blue misty mountains. Traditional Tongkonan houses stand proudly in this setting. These intricately decorated houses with upward-sloping roofs are the center of all Aluktodolo ( Torajan religion before the coming of missionaries; the ancestors belief ) rites; from storing the harvest in the carved rice barns, "alang", to slaughtering sacred water buffaloes at a week or more-funeral ceremonies. Tana Toraja's beauty is also reflected in its people. Although they are devoutly Christian ( there are small number of Moslems especially in the southern area), they combine this religious belief with magic and mysticism. Secure in their ethnic identity, they welcome visitors to witness their ceremonies.

Tana toraja is a sleepy rural region cultivating rice, cacao, coffee, and clove most of the year. Toraja's arabica coffee is known as one of the best in the world. These all change during the dry season,, from June until September, when Children are home from school, the rice is harvested and it's time for a "rambu solo' ", a complex funeral ceremony of the ancestors. During the time, Rantepao is transformed into a major tourist resort for national and international visitors.

Culture
Manganda' dance is performed at Ma'Bua' ritual.
Manganda' dance is performed at Ma'Bua' ritual.
The land of the Toraja people, many notionally Christian but most in practice animist, is above all famed for their spectacular (and rather gruesome) burial rites. After a person's death, the body is kept — often for several years — while money is saved to pay for the actual funeral ceremony, known as tomate. During the festival, which may last up to a week, ritual dances and buffalo fights are held, and buffaloes and pigs are slaughtered to ferry the soul of the deceased to the afterlife (puya). The deceased is then finally buried either in a small cave, often with a tau-tau effigy placed in front, inside a hollow tree or even left exposed to the elements in a bamboo frame hanging from a cliff.

Tana Toraja has unique culture set in stunning scenery. Globalisation and tourism may have impact, but if you venture away from the tarmac roads you will find soon a way of life that has not changed much in the last 100 years

Bromo-Tengger-Semeru National Park

Bromo-Tengger-Semeru National Park

The national park is named after its two mountains, Mount Semeru (the highest in Java at 3,676 metres), Mount Bromo (the most popular) and the Tengger people who inhabit the area.

Mount Semeru also known as Mahameru ("Great Mountain"), is one of Indonesia's most active volcanoes. What stands out most about this mountain is the fact that it erupts periodically (and very reliably so). Every 20 minutes or so, the volcano belches out a huge cloud of steam and smoke, sometimes interspersed with ash and stones. Climbing Mount Semeru requires some planning and a permit from the national park authority. The mountain is often closed due to its highly active nature.
Mount Bromo (2,329 metres) is easily recognized as the entire top has been blown off and the crater inside constantly belches white sulphurous smoke. It sits inside the massive Tengger caldera (diameter approximately 10 km), surrounded by the Laut Pasir (Sea of Sand) of fine volcanic sand. The overall effect is unsettlingly unearthly, especially when compared to the lush green valleys all around the caldera.
The major access point is Cemoro Lawang (also Cemara Lawang or Cemora Lawang - blame the East Javanese accent!) at the northeastern edge of the caldera, but there are also trails from Tosari (northwest) and Ngadas (southwest). The village of Ngadisari, on the road from Probolinggo about 5.5 km before Cemoro Lawang, marks the entrance to the national park. Both Cemoro Lawang and Ngadisari are rather picturesque, with brightly-painted houses and flower beds outside.

The Tenggerese
The area in and around the park is inhabited by the Tenggerese, one of the few significant Hindu communities left on the island of Java. The local religion is a remnant from the Majapahit era and therefore quite similar to that on Bali but with even more animist elements. The Tenggerese are believed to be descendents of the Majapahit princes and were driven into the hills after mass arrivals in the area of devoutly Muslim Madurese in the 19th century. These Madurese immigrants were labourers working for Dutch coffee plantation owners and the native Hindu people of the region soon found themselves outnumbered and either converted to Islam or fled to the inhospitable high mountain tops where they remain today.

The religion is quite low key though (certainly when compared to Bali) with the most visible manifestation of faith being the rather austere Poten temple in the sea of sand. The Tenggerese number about 600,000 and they reside in 30 villages scattered in and around the park with smaller communities elsewhere in East Java.
For many visitors, the sight of the angular-faced, sunburned, moustachioed Tenggerese wrapped in poncho-like blankets, trotting about on ponies with craggy mountains as the backdrop, more resembles Peru than Indonesia!
Landscape
If a landscape was ever needed to demonstrate the meaning of the phrase desolate beauty, then this is surely it. Rugged, barren volcanic peaks, gravel plains and that sea of sand. Truly unworldly.
The park also includes large areas which are very lush and green fed by rivers from the high tops. The medium elevations are clad with much thinner forest before this gives way to the barren plateau and peaks.
Flora and fauna
In the parts of the park which most interest visitors (the caldera and mountain tops) flora and fauna is limited - a general lack of vegetation. At lower elevations and away from the sea of sand there are though lush green valleys with a typical tropical forest flora. The higher elevations before the tree line ends are largely clad with casuarina (cemara) forest.
Down in the valleys, a few leopard cats are present but rarely seen. Java rusa deer, muntjac, marbled cat and wild pig are amongst the mammals more likely to be glimpsed by casual visitors. This park is not so renowned for birdwatching as others in Java but up on the plateau you often see hawks and eagles soaring over the valleys below.
Climate
Temperatures are refreshingly cool during the day but outright cold at night as temperatures can drop close to zero in the summer and are rarely much above 5°C in winter. Daytime temperatures anywhere in the park never exceed 20°C with low teens being normal.
It can rain at anytime and the mean average rainfall is 6,600 mm. Most of that comes in the wet season though - November to March. During periods of heavy rain in January and February especially, many parts of the park are inaccessible due to flooding. Landslips are also a real issue at these times.



When timing any activities in the area, bear in mind that sunset is soon after 5 PM and sunrise is correspondingly early at around 5:30 AM. This means you will usually need to get up by 3:30 AM or so to get to a watchpoint in time for dawn.

For the keen hiker, this park is a dream come true and you can make your own schedule. There are so many possibilities once you are away from the obvious well known area at Mount Bromo. Maps and information about the area are available at one of the many official locations. A very easy hike to the first viewpoint takes 1 hour.

The park operates jeeps too, for the official prices of 275,000 for 2 locations (usually one of the Pananjakan viewpoints and the parking area towards Mount Bromo), or 450,000 for 4 locations. Be weary of hawkers offering "guided" trips for up to twice as much, as the drivers themselves are locals usually with good knowledge. Feel free to ask drivers at any time to stop for photos or ask questions. Visitors may also bring their own vehicles; alternatively, guides can also be rented on motorbike to guide you around. A jeep can fit up to 6 people.

Posts may also request entrance fees (one post per visit). The official fee is minimal, but they may ask for more (although still well under 10,000 rupiah per person). The attentive visitor might rather walk to the post and ask to see and count the tickets directly. No other fees exist, aside from transportation services.

* Mount Bromo edges tinged with sulphur and always bubbling, is the main sight here and sadly, for some tourists it is the only sight. To reach it on foot, pick the left fork at Cemoro Lawang's solitary crossing, then head down the ramp into the caldera and then across the caldera to the Hindu temple (Poten) at the foot of the mountain. From the temple a steep path of 250 concrete steps leads to the edge of the crater and a precarious meter-wide ledge from where you can gaze into the steaming crater. A "fence" will block vehicles from getting too close to Poten, and hundreds of horses serve the trail for those who prefer not to go up on foot. A round trip will cost Rp. 100,00 from the parking area, or a single trip back will cost Rp 30.000 (these are official prices with vouchers). It's much better to casually walk, though: the walk from the tourist centre to the top of the mountain should take no longer than 90 minutes and is about 3km.

* Mount Semeru can be climbed over two days but it is a venture for serious trekkers only and requires a high level of physical fitness. A permit must obtained in advance and would be climbers should be very aware that the mountain will be off-limits during periods of eruptive activity. This is a very active volcano. If you do decide you are up for this you should be able to find a guide to go at least part of the way with you at the park office in Ranupani. That office is also the best source of information for an assessment of the current state of the mountain and for hooking up with serious climbers from around the world.

* Mount Penanjakan (2,770m), its peak also called Viewpoint #1, located just north of the caldera, is a mountaintop viewpoint accessible by paved road from Tosari and hence popular with jeeps and even tour buses. At the peak lies an antenna array (easily spotted from miles around), many shops, a mosque and several "real" buildings. It's the highest point easily accessible, so many visit here to get a good look around. The most popular sight is the sunrise: most of the crowd comes to see the dawn at 5 AM and you will likely have the large concrete observation post to yourself if you arrive later in the day. A steady hike from Bromo to Batok and then around the rim to Penanjakan will take about three hours and the last ascent of about 500 metres is very stiff indeed but truly worthwhile. Ancient Javanese Hindu texts tell of how Bromo-Penanjakan-Semeru (or Mahameru as it was then) was the spiritual axis of the universe and the point of all creation. The view from Penanjakan will explain why - it is truly breathtaking. This is where most of those iconic picture postcard views are taken from. After you have had your fill of the views, a hike back across the sea of sand to Cemoro Lawang will take about two hours.

* Viewpoint #2, along the trail from Cemoro Lawang to Mount Penanjakan, is an excellent way to get a stunning view of the caldera without the crowds. To reach it, head west from Cemoro Lawang (past the Cemoro Indah hotel) for 6 km, passing Tenngerese farms and fields. The paved road eventually turns into a twisty mountain trail that ends with a flight of stairs on the right, and the viewpoint (with concrete shelter) is at the top. Allow 90 minutes hours for the climb up at a steady pace and bring along a flashlight if attempting this at night. From here, you can continue onto Mount Penanjakan by following the trail upwards, after which the trail merges onto the paved road to the viewpoint (total time about 60 minutes one way). If planning to return the same way, mark the spot where the trail emerges onto the road (if you pass a stone lantern on the way down you have gone too far!), and note that descending on this section can get slippery due to loose sand and rocks. As of September 2008, the direct route from Cemoro Lawang up to Penanjakan and Viewpoint #2 is severely damaged because of landslides. The path is still passable, but it can be tricky to spot the dangerous parts in the dark — each vistor should have their own flashlight.

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